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    <lastmod>2023-10-20</lastmod>
    <image:image>
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      <image:title>Photos - Graham Gordon Ramsay, 2023</image:title>
      <image:caption>Photo by Brad Fowler.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1697801926108-MW32DWODM8MRWMTO2BKY/Ramsay-09-30-2023-4%2Bedited.jpg</image:loc>
      <image:title>Photos - Graham Gordon Ramsay, 2023</image:title>
      <image:caption>Photo by Brad Fowler.</image:caption>
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    <image:image>
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      <image:title>Photos - Graham Gordon Ramsay</image:title>
      <image:caption>Photo copyright © 2001 by Shaun Ramsay.</image:caption>
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      <image:title>Photos - GGR &amp; Heinrich Christensen</image:title>
      <image:caption>Graham Gordon Ramsay and Heinrich Christensen review scores from the recording of "The Sacred Voice."  Photo copyright © by Shaun Ramsay, 2011.</image:caption>
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    <image:image>
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      <image:title>Photos - Graham Gordon Ramsay, 2013</image:title>
      <image:caption>Graham Gordon Ramsay photographed for CD cover, "Compendium--Selected Solo Instrumental Works."  Copyright © 2013 Suzanne Camarata.</image:caption>
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    <image:image>
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      <image:title>Photos - "The Sacred Voice" recording session, October 7, 2009</image:title>
      <image:caption>Heinrich Christensen conducting singers during the recording session of "The Sacred Voice" at Church of the Redeemer, Chestnut Hill, Massachusetts, October 7, 2009.</image:caption>
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      <image:title>Photos - CD cover, "The Sacred Voice"</image:title>
      <image:caption>Photograph: Morning Calm II by Suzanne Camarata; copyright © 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1529527319146-OLTFA93T6X45UMM4XOVO/photo_hjatmethuen3-1.jpg</image:loc>
      <image:title>Photos - Jodi Hagen and Heinrich Christensen</image:title>
      <image:caption>Jodi Hagen and Heinrich Christensen rehearsing "Elements and Transitions" at Methuen Memorial Music Hall in June, 2009.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1529527319148-1LMXRGNTQ2U7IE22Z3L5/photo_hjatmethuen2-1.jpg</image:loc>
      <image:title>Photos - Rehearsal for "Elements and Transitions"</image:title>
      <image:caption>Violinist Jodi Hagen and organist Heinrich Christensen rehearse "Elements and Transitions" at Methuen Memorial Music Hall, June 2009.</image:caption>
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    <image:image>
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      <image:title>Photos - Ole Nielsen and GGR, 2005</image:title>
      <image:caption>Ole Nielsen and Graham Gordon Ramsay in March, 2005 working on "Four Autumn Sketches," which were composed for Nielsen and premiered at Massachusetts Institute of Technology.</image:caption>
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    <image:image>
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      <image:title>Photos - Reception for "The Sacred Voice"</image:title>
      <image:caption>Reception for "The Sacred Voice" at King's Chapel Parish House, Boston, Massachusetts on October 14, 2011.  Pictured (left to right): Jeanie Flowers, Graham Gordon Ramsay, Dr. Alexander Slocum, Dr. Beth Flowers, Besty Flowers, and Dr. Daniel Flowers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1652356749683-ICCD8HGHX5ZHYCE7A778/photo_nightingale-1.jpg</image:loc>
      <image:title>Photos - Collaborators for "The Nightingale"</image:title>
      <image:caption>Ensemble of performers from "The Nightingale" premiere, October 23, 2005.  Pictured (left to right): Richard Knisely (narrator); Heinrich Christensen (organ); Graham Gordon Ramsay (composer); Winnie Dahlgren (percussion); Timothy Macri (flute).</image:caption>
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    <image:image>
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      <image:title>Photos - Graham Gordon Ramsay</image:title>
      <image:caption>Publicity photo circa 1985. Photo by Laura Josephson.</image:caption>
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    <image:image>
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      <image:title>Photos - Fountainebleau, 1984</image:title>
      <image:caption>Graham Gordon Ramsay at the entrance of the Conservatoire at Fountainebleau, 1984.  It was here that Ramsay studied with composer Narcis Bonet and singer Irène Joachim.</image:caption>
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      <image:title>Photos - GGR with Aaron Copland and Leonard Bernstein, 1980</image:title>
      <image:caption>Graham Gordon Ramsay meets Aaron Copland and Leonard Bernstein at Tanglewood, 1980.  Pictured (left to right): members of the Boston Universtiy Tanglewood Institute Young Artists Composition Program Jeffrey Goldberg, Lawrence Sobel, Graham Gordon Ramsay, and composers Aaron Copeland and Leonard Bernstein.</image:caption>
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      <image:title>Photos - Graham Gordon Ramsay</image:title>
      <image:caption>Photo by Biyeun Buczyk, 2016.</image:caption>
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    <lastmod>2025-11-04</lastmod>
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    <lastmod>2025-11-04</lastmod>
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      <image:title>Blog - Washington Classical Review of "Requiem" - Make it stand out</image:title>
      <image:caption>Christian Lane conducted the world premiere of Graham Gordon Ramsay’s Requiem with the Emmanuel Choir and Orchestra Sunday at Emmanuel Episcopal Church in Baltimore. Photo: Magdaline Kavalchuk</image:caption>
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      <image:title>Blog - Washington Classical Review of "Requiem" - Make it stand out</image:title>
      <image:caption>Christian Lane also led the Emmanuel Choir in Sarah Kirkland Snider’s Mass for the Endangered. Photo: Magdaline Kavalchuk.</image:caption>
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    <lastmod>2025-10-28</lastmod>
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      <image:title>Blog - Notes on the origins of "Requiem"</image:title>
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      <image:title>Blog - Featured soloists for Requiem premiere - Make it stand out</image:title>
      <image:caption>Featured soloists Nicole Stover, soprano; Kaylee Parker, mezzo-soprano; Andrew Hann, tenor; and Michael Manganiello, baritone</image:caption>
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    <lastmod>2025-10-16</lastmod>
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      <image:title>Blog - "Requiem" premieres November 2, 2025 in Baltimore - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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    <loc>https://www.ggrcomposer.com/blog/2025/1/14/songs-of-love-and-longing-premieres-january-26-2025</loc>
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    <lastmod>2025-01-14</lastmod>
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      <image:title>Blog - "Songs of Love and Longing" premieres January 26, 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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    <loc>https://www.ggrcomposer.com/blog/2024/12/20/there-is-no-rose-of-such-virtue-to-be-performed-by-the-seraphim-singers</loc>
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    <lastmod>2024-12-20</lastmod>
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      <image:title>Blog - "There Is No Rose of Such Virtue" to be performed by the Seraphim Singers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.ggrcomposer.com/blog/2024/11/7/concerto-for-contrabass-and-orchestra-is-coming-to-life</loc>
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    <lastmod>2024-11-08</lastmod>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-08</lastmod>
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    <loc>https://www.ggrcomposer.com/blog/2022/3/30/livestream-premiere-of-threnody-april-7-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-31</lastmod>
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      <image:title>Blog - Livestream premiere of "Threnody" April 7, 2022 - Make it stand out</image:title>
      <image:caption>Theodore Antoniou at Tanglewood, July, 1980. Photo by Graham Gordon Ramsay.</image:caption>
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    <lastmod>2021-10-29</lastmod>
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    <lastmod>2020-11-11</lastmod>
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  <url>
    <loc>https://www.ggrcomposer.com/blog/2020/8/16/introspections-4</loc>
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    <lastmod>2020-08-16</lastmod>
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      <image:title>Blog - Introspections #4</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1597597939560-BLHN7T599XRHRT2WWVTJ/image-asset.jpeg</image:loc>
      <image:title>Blog - Introspections #4</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1597597959945-HIM4N4LUUX9T34LUJK11/image-asset.jpeg</image:loc>
      <image:title>Blog - Introspections #4</image:title>
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  <url>
    <loc>https://www.ggrcomposer.com/blog/2020/8/4/introspections-3-an-off-kilter-palate-cleanser</loc>
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    <lastmod>2020-08-06</lastmod>
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  <url>
    <loc>https://www.ggrcomposer.com/blog/2020/7/29/introspections-2</loc>
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    <lastmod>2020-07-29</lastmod>
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  <url>
    <loc>https://www.ggrcomposer.com/blog/2020/7/23/introspections-processing-feelings-about-a-world-in-crisis</loc>
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    <priority>0.5</priority>
    <lastmod>2020-10-21</lastmod>
  </url>
  <url>
    <loc>https://www.ggrcomposer.com/blog/2020/1/27/official-premiere-of-sonatina-for-viola-and-piano-at-tufts</loc>
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    <priority>0.5</priority>
    <lastmod>2020-01-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1580132354872-AUVY6371D9MXAH5FSKFO/83118427_10156756226853199_6485368348870705152_o.jpg</image:loc>
      <image:title>Blog - Official premiere of "Sonatina for Viola and Piano" at Tufts</image:title>
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  </url>
  <url>
    <loc>https://www.ggrcomposer.com/blog/2019/7/26/scott-squared-the-recording-of-sonatina-for-viola-and-piano</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-29</lastmod>
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  <url>
    <loc>https://www.ggrcomposer.com/blog/2019/4/9/lovely-and-sensative-recording-of-mirabile-mysterium</loc>
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    <priority>0.5</priority>
    <lastmod>2019-04-09</lastmod>
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    <loc>https://www.ggrcomposer.com/blog/2018/11/6/two-lovely-reviews-of-the-seraphim-singers-program</loc>
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    <priority>0.5</priority>
    <lastmod>2018-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1541510120993-F1C8K2BUEPAGJB9AHNTJ/Window.jpg</image:loc>
      <image:title>Blog - Two lovely reviews of the Seraphim Singers program</image:title>
      <image:caption>Conductor Jennifer Lester and the Seraphim Singers delivered two beautiful performances of Mirabile Mysterium this past weekend. The reviews of their performances were deservingly full of praise for the performers. Anne Davenport’s review in the Boston Musical Intelligencer can be found here; Aaron Keebaugh’s review for the Boston Classical Review can be found here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ggrcomposer.com/blog/2018/10/11/the-seraphim-singers-to-perform-mirabile-mysterium</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1539273837728-7WE6X5YQJWSORDJE74TY/Seraphim.jpg</image:loc>
      <image:title>Blog - The Seraphim Singers to perform "Mirabile Mysterium"</image:title>
    </image:image>
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  <url>
    <loc>https://www.ggrcomposer.com/blog/2018/6/26/kings-chapel-premieres-set-me-as-a-seal</loc>
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    <priority>0.5</priority>
    <lastmod>2018-06-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1530017340119-NYGV5F6RCP0HBD9CN6BP/Set+Me+as+a+Seal-1.jpeg</image:loc>
      <image:title>Blog - King's Chapel premieres "Set Me as a Seal"</image:title>
      <image:caption>Sunday, February 11 at 11:00 a.m., the King's Chapel Choir, under the direction of Heinrich Christensen, will premiere my setting of "Set Me as a Seal" for SATB choir unaccompanied.  Composed in celebration of the marriage of Leigh Royden and John Diniz, it will be performed as part of the King's Chapel Sunday workshop service.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ggrcomposer.com/blog/2018/6/26/on-the-home-stretch-to-the-montral-organ-festival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-06-26</lastmod>
  </url>
  <url>
    <loc>https://www.ggrcomposer.com/blog/2018/6/26/laneramsay-collaboration-continues</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-06-26</lastmod>
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    <loc>https://www.ggrcomposer.com/blog/2018/6/26/christian-lane-talks-about-collaboration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-11</lastmod>
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  <url>
    <loc>https://www.ggrcomposer.com/blog/2018/6/27/montral-commission-a-pilgrimage-to-the-organ</loc>
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    <priority>0.5</priority>
    <lastmod>2018-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1530101705990-AN8F09IQ5VHDXQ5W3IOB/Graham++Chris+1.jpeg</image:loc>
      <image:title>Blog - Montréal commission: a pilgrimage to the organ</image:title>
      <image:caption>Last week, organist Christian Lane and I made a pilgrimage to Montréal’s Maison Symphonique to explore the color possibilities of the Grand Orgue Pierre-Béique.  Chris has performed on the instrument several times before, so he was an excellent guide to the organ as he played through some very rough initial sketches for the Montréal Organ Festival commission. The instrument is extraordinary and does many things that most organs can’t do: sostenuto options that free up the hands, keyboards couplings that permit staccato articulations on one set of pipes while playing legato on another, etc. The Chamades division is quite impressive—it can create a crescendo by slowly floating the pipes (while sounding) out of the organ case by means of a dedicated motorized mechanism.  Aside from these more unusual features, the main instrument itself is warm and full of beautiful sound color options.  And then there is that hall—modern and bright, and acoustically pleasing and reverberant without a hint of muddiness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b2aba8770e802b68d870c6b/1530126811579-IG4R3ZSL7M0YGBA2SW3S/MaisonSymphonique.jpeg</image:loc>
      <image:title>Blog - Montréal commission: a pilgrimage to the organ</image:title>
      <image:caption>The trip was, for me at least, a huge success. Chris is a trouper—very helpful (and patient).  He was willing to experiment with the same passage multiple times with varied registrations in the service of teaching me what that organ can do. As an added bonus, I had the opportunity to meet several key people who are instrumental in organizing the Festival, including Thomas Leslie, Adrian Foster, and Frederick Frances. Everyone was so gracious and welcoming with that I felt right at home and well cared for—quite a treat.  A special thank you goes to Jean-Willy Kunz, organist for the Maison Symphonique, for his willingness to grant us access to the hall and the amazing instrument.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Montréal commission: a pilgrimage to the organ</image:title>
      <image:caption>The Grand Orgue Pierre-Béique was generously offered to the OSM by Mrs. Jacqueline Desmarais.</image:caption>
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  <url>
    <loc>https://www.ggrcomposer.com/blog/2018/6/27/new-commission-for-2017-montral-organ-festival</loc>
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    <lastmod>2018-06-27</lastmod>
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      <image:title>Blog - New Commission for 2017 Montréal Organ Festival</image:title>
      <image:caption>I am excited to announce a new commission to write a concert organ work for the 2017 Montréal Organ Festival, to be premiered by American organist and educator Christian Lane.  The festival, which is a collaboration between the Royal Canadian College of Organists (RCCO) and the Northeast Chapter of the American Guild of Organists (AGO), will feature performances and workshops throughout the city showcasing many of Canada’s finest instruments.  The new work will premiere at Montreal’s Maison Symphonique, a state of the art concert hall that is home to a Casavant Frères organ inaugurated in 2014.  The 83 stop, 116 rank instrument offers an enormous range of exciting color possibilities. I’ll be heading up to Montréal with the organist in early August to get an introduction to the instrument.  It is a great pleasure to work collaboratively with this fine musician, and Chris is proving to be a great help in the development of the new piece—I couldn’t have asked for more. I’ll post again in the coming months to document the progress on this commission.</image:caption>
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      <image:title>Blog - Three upcoming performances in 3 weeks!</image:title>
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    <loc>https://www.ggrcomposer.com/blog/2018/6/27/heinrich-christensen-performs-ramsay-and-sirota-organ-works</loc>
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    <lastmod>2018-06-27</lastmod>
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      <image:title>Recordings - Graham Gordon Ramsay Compendium: Selected Solo Instrumental Works</image:title>
      <image:caption>Released by Albany Records 2013</image:caption>
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      <image:title>Recordings - Graham Gordon Ramsay Compendium: Selected Solo Instrumental Works</image:title>
      <image:caption>Released by Albany Records 2013</image:caption>
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      <image:title>Recordings</image:title>
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    <loc>https://www.ggrcomposer.com/video-gallery/2018/7/5/kyrie-from-missa-sancti-stephanie</loc>
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    <loc>https://www.ggrcomposer.com/video-gallery/2018/7/5/jodi-hagen-performs-elegy-for-violin-and-piano</loc>
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    <loc>https://www.ggrcomposer.com/video-gallery/2018/7/5/de-profundis-anthem-for-satb-chorus-unaccompanied</loc>
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      <image:caption>Flutist Ole Nielsen and Graham Gordon Ramsay collaborate on "Four Autumn Sketches."</image:caption>
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      <image:caption>Compendium: Selected Solo Instrumental Works, released in 2013 on the Albany Records label.  Includes: Four Autumn Sketches for Flute and Piano; Prologue and Two Scenes for Double Bass; Six Preludes for Piano; Elegy for Violin and Piano; and Lullaby.  The CD booklet and liner notes can be downloaded here.  This album can be purchased as a CD or by download through all major music dealers.</image:caption>
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      <image:caption>The Sacred Voice: Heinrich Christensen conducts sacred vocal works by Graham Gordon Ramsay, released in 2011 on the Albany Records label.  Includes choral works Ave Maria, Missa Sancti Stephani, De Profundis, Three Psalms, and Laudate Dominum; solo cantata Obedience for soprano, bass, and organ; and trio anthem If You Love Me.  The CD booklet and liner notes can be downloaded here.  This album can be purchased as a CD or by download through all major music dealers.</image:caption>
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      <image:caption>A Window on the Divine, selected performances by the Seraphim Singers.  Album includes Ramsay's Levavi oculus from Three Psalms, as well as Elliot Gyger's Hebrew, Latin, Greek, and Francis Poulenc's Litanies a la Vierge Noire.</image:caption>
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      <image:caption>Graham Gordon Ramsay is in demand as a creator of vocal and instrumental works for venues throughout the United States, Canada, and Europe. Born in California in 1962, Ramsay studied music at the Tanglewood Institute, Boston University, and the Fontainebleau School in France. He studied composition with such masters as Robert Sirota, Joyce McKeel, Theodore Antoniou, David Del Tredici, Narcis Bonet, and Andrew Thomas, and studied voice with Phyllis Hoffman and Irène Joachim. He has received commissions from numerous solo performers, ensembles, and festivals including the Burgett Ensemble, the Seraphim Singers, American Classics, and the Montréal Organ Festival. His commissions include liturgical works for the choirs of King’s Chapel in Boston, St Stephen’s Episcopal Church in Providence, Rhode Island, and St. Thomas More Church in New York City, among others.  His discography includes two albums devoted to his compositions on the Albany Records label: The Sacred Voice: Heinrich Christensen Conducts Sacred Vocal Works by Graham Gordon Ramsay (2011) and Compendium: Selected Solo Instrumental Works (2013). He is the recipient of various grants and awards, including a Massachusetts Institute of Technology Council for the Arts grant, and first prize in the 2003 Roger Wagner Contemporary Choral Composition Competition.  His scores are distributed through the Subito Music Corporation.</image:caption>
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